What I've learned this Nanowrimo

This is the fourth time I’ve tried to write a rough draft of Continuo, my cellist/music producer contemporary M/M romance, for Nanowrimo. I wrote a 30-scene outline, one 1666-word scene per day; I did research, I made playlists, I pondered over characters’ names, I thought about themes and hero’s journeys and character arcs.


I love this story. I’m enamored of this story.


I can’t seem to finish this story.

Not in 50,000 words, anyway, and not in 30 days. Every time I go back to this plot it gets bigger: it went from two men meeting in a park to a decades-long romance-turned friendship-turned romance again. I’ve dropped characters and added more, I’ve added locations and events — and I’ve realized something. This story wants to be big.

No, this story wants to be big.

I’m not afraid of big stories, of course; I’ve written my share. With this one, I’ve been thinking a lot about structure, and how not to make it overwhelming, and I think I’ve decided it will be a series of novellas rather than one long novel. (Of course I also often ask myself, Maybe it’s a screenplay..?)

I am planning to write it all before releasing any parts. The influence of the past is very important to Continuo, and I’d like to have the end written before I decide exactly what happened in the beginning.


I’ll try to blog about Continuo during the writing process. We may be in for a long, long tinker before this thing is done.

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